Tuesday 28 April 2015

Yorkshire Landscapes - Ribblehead Rain

[caption id="attachment_1364" align="aligncenter" width="950"]Yorkshire Landscapes - Ribblehead Rain Ribblehead Rain[/caption]

Ribblehead


Yorkshire is full of landscapes and landscape opportunities, particularly in the Yorkshire Dales National Park. One of the most iconic being the Ribblehead Viaduct.

A photography outing saw us park up in a large layby off the B6255 in the Yorkshire Dales National Park, within a few hundred yards of the Ribblehead Viaduct.

Rain was in the offing and a large storm cloud was approaching over Whernside ahead of us, promising good skies but a soaking.

Half way down the path we could hear a train approaching so ran a little further and set up in the hopes of a train in the shot before we got soaked.

Mission accomplished, landscapes captured, back to the car to dry off.

 

Landscapes


If you like landscapes, check out one of our previous landscapes trips to the Skelwith Bridge in the Lake District

 

Links


Wikipedia information on Ribblehead Viaduct

 

Getting there ...


Friday 24 April 2015

Northumberland Landscapes - Gibside

[caption id="attachment_1353" align="aligncenter" width="950"]Northumberland Landscapes - Gibside Sun Gibside Sun[/caption]

Gibside


Took a photography trip with a good friend and fellow photographer to the National Trust property of Gibside in Rowlands Gill, North East UK. Not technically Northumberland Landscapes but landscapes galore there were.

It was rather cold and had been raining but we persevered, glad we did.

It's a fantastic place with ACRES of grounds to explore. As we found out when a fellow visitor suggested we hike to the farthest corner for a fantastic tree, which we could not find. It did allow us to see most of the grounds though.

The journey back down the hill brought us to the iconic avenue of trees leading up to the chapel.

It started raining so we sheltered under a tree, then the sun poked it's head out through the clouds above the chapel, serendipity! Camera out, quick!

Landscapes then coffee and cake in the cafe.

 

Landscapes


If you like landscapes, check out our previous Northumberland Landscapes post in Alnmouth.

 

Links


Wikipedia Information on Gibside

 

Getting there ...


Tuesday 21 April 2015

Lake District Landscapes - Woodland Sun, Skelwith Bridge

[caption id="attachment_1344" align="aligncenter" width="950"]Landscapes - Woodland Sun Woodland Sun[/caption]

Skelwith Bridge


Having photographed the footbridge over the River Brathay near Wikipedia - Skelwith Bridge we headed into the trees to explore and find landscapes.

We came across a lovely hollow, where the autumn trees were amazing shades and the sun was shining through the branches to leave pools of light in places.

Again, camera out.

Shortly after, down to Chesters By The River for coffee and cake ... chocolate.

 

Landscapes


If you like landscapes, check another of our previous Lake District posts

 

Links


Wikipedia information on Skelwith Bridge

 

Getting there ...


Thursday 16 April 2015

Tutorial - Expose To The Right (ETTR)

At wilson photographics we sometimes use a technique know as ETTR or Expose To The Right when shooting landscapes and seascapes in Northumberland. You may have heard this term and wondered what it was ..... read on, dear reader, read on ....

As with all my articles I will keep it simple and adopt a "just gimme the facts" approach, only introducing as little brain-melt as possible.

The Problem ...


A common held philosophy followed by photographers for a long time has been the technique of setting your exposure for the highlights in your scene and taking an, effectively, underexposed shot with a view to raising the shadows later in post-processing to reveal the detail in those areas. The main problem with this technique is, due to the lack of information in the shadow areas of the image, increasing the exposure to recover these areas will introduce noise into the shadow areas resulting in a poor end-image.

I'll try to explain ...

ETTR - Background info ...


The recording of the scene by the photo-cells on your cameras sensor depends on the sensors linear response to the light striking it. Generally speaking, it is not a linear response so if your camera's sensor has a dynamic range of, say, 5 stops then the brightest stop (at the far right of the histogram) will record one half of the available tonal values, the next stop down will record one half of the remaining tonal values, and so on, halving all the way to the darkest stop (at the far left of the histogram). This explains the halving or doubling of light entering the camera when you stop-down or stop-up.

ETTR - The Skinny ...


This may seem somewhat complex to take in so, in a nutshell, just accept that much more information is recorded at the far right of the histogram than at the far left. You can always read up why at a later date (if you need to).

So, to follow on from that little bombshell, it would seem common sense that, in order to record the maximum possible information about a scene to produce the best possible image you would do well to overexpose the image with a view to lowering the exposure later in post-processing. This is, indeed, a valid technique - welcome to ETTR.

The below image, of a chain in a harbour somewhere in Northumberland, was taken using ettr ...

 

[caption id="attachment_1335" align="aligncenter" width="300"]ETTR Before Processing ETTR Before Processing[/caption]

... the histogram clearly show an over-exposed image, but with adjustment to exposure, contrast and saturation in post-processing it can be recovered ...

[caption id="attachment_1336" align="aligncenter" width="300"]ETTR After Processing ETTR After Processing[/caption]

... the histogram now shows a much more balanced image with detail covering the full range of tonal values.

Importantly no noise was introduced into the shadow areas, which would almost certainly have been the case if the shot had been under-exposed and then lightened in post.

All-in-all, ettr is a valuable technique to have in your arsenal (just to be clear, you may still have to use filters if the range of the scene is too great). It will take a little practice and experimentation to work out how much your equipment will let you get away with because, bear in mind, the histogram you see is not based based on the RAW file but is based on an in-camera jpeg representation of the RAW file. With this in mind your histogram may show a little clipping when that is not the case, you will need to try a few images to work this out for your own gear.

It took a few test images to work out how far we could push our own gear, when out shooting landscapes and seascapes in Northumberland, and we found we could allow the histogram to venture out of the top stop a little before it affected the end result.

ETTR - The Caveats ...



  • You must shoot in RAW, to enable you to get the best results from post-processing later.

  • You cannot allow the shot to leave the right hand side of the histogram, this would result in lost information and clipping, the skill is in exposing as far right as your particular camera will allow without clipping.


Relevant Links ...

Wikipedia - http://en.wikipedia.org/wiki/Exposing_to_the_right

 

Monday 6 April 2015

Disaster Recovery and Business Continuity, do you care?

"POP"


Not the sound you want to hear from your Drobo NAS unit! Especially after a full days work.

"Disaster" has many levels but if you're a professional in any line of business that involves storing masses of digital data and you don't have even a minimal disaster recovery plan then when your luck runs out (and it will!) you're going to be in trouble!

I've seen companies reduced to administration procedures because they had no backup plan or disaster recovery plan. They just could not recover without their accounts system, their client data, their job register.

Maybe you don't care but , trust me, your clients will. Do not underestimate the amount of time and effort that's going to be required to get you back up and running if you lose your data.

[caption id="attachment_1306" align="aligncenter" width="300"]Disaster Recovery - Drobo Stack Drobo Stack[/caption]

Overview ...


To understand how our plan evolved you need a quick overview of why our system is the way it is.

We're photographers and retouchers. We keep masses of our own digital images for whatever use (prints, leasing, etc.). We also keep masses of client images for retouching (they probably don't have a backup).

When we first set up we needed a common network area for shared data storage, a full blown server was too much hassle and admin, enter the Drobo. Setup as a RAID5 array for data security and resilience. Note, RAID5 is not great for recovery, if the unit itself fails you cannot access the data on the disks but, as a first line of defence, amongst a larger plan it is fine.

There wasn't a job system available with the facilities we required so we created one based on MS Access. As former software developers it made sense (yeah, we know SQL is better but it's way overkill for our needs and we don't have a lot of "admin time"). It has check in/out facilities for moving jobs to/from the Drobo to a workstation. It is also separated into front-end and back-end, the back-end being on the Drobo.

For legal compliance, all of our emails are archived, indexed and searchable from the Drobo.

We run a digital accounts system, backed up to the Drobo.

Other, trivial, stuff happens around the Drobo but the previously described data we would describe as "a problem" if it went missing.

OK, you get the picture, we do a lot of network based activity dependent on the Drobo.

Our Current System ...


Our primary NAS, the Drobo, is our day-to-day working NAS. When we need to work on a customer job we check-out the job, via the job system, to our local workstation, work on it, the check it back in. (nutshell)

Daily, our workstations backup personal files and other workstation-based files to the Drobo (accounts, etc). Incremental backups Mon-Thur, Full backup Fri.

Weekly, the website is downloaded to the Drobo.

Daily, the Drobo is mirrored to a secondary NAS unit setup as a RAID1 array.

Weekly, the secondary NAS is backed up to removable HDD's.

Monthly, removable HDD's stored off site.

This may seem heavy handed and over-engineered but, believe me, at one point or another each part of this setup has had to be pressed into use in anger. Think "multiple redundancy", nothing is infallible.

Disaster Recovery ...


Our basic strategy ...

1) Any workstation fails - the work and necessary files are on the Drobo to be accessed from another machine to allow business to continue until the failed machine is replaced/fixed.

2) A Drobo drive fails - because of RAID5, the unit will rebuild and maintain data access until the failed drive has been replaced.

3) Drobo unit fails - the work and business critical data are mirrored to the secondary NAS unit. Remove the Drobo and setup the secondary as primary and carry on until the Drobo is replaced/fixed.

4) Secondary NAS unit fails - replace it quickly, not an immediate problem but needs to be addressed.

5) Drobo & Secondary fail - because of RAID1 setup on secondary there are two copies of the data. Remove either drive, put into workstation, setup workstation as primary network data source until system repaired.

6) Drobo fail, secondary fail, single secondary drive fail - there is a mirrired copy of the data on the other drive that is part of the RAID1 pair.

7) Drobo full fail, secondary full fail - there is an offsite copy.

We recently suffered a Drobo power supply failure and point (2) saved us!

We're not experts at disaster recovery, nor is it our primary concern but previous careers enabled us to see the critical importance in a business environment.

There are other ways to do it, other mechanisms, other systems but this is how we do it. It works. It's been tested.

Don't wait until your systems fail to, at least, set up something minimal (e.g. backup to external drive)

Thursday 2 April 2015

Northumberland Landscapes - Alnmouth

Welcome to our Northumberland Landscapes series of blog entries.


As the first in the Northumberland Landscapes series, our latest photographic escapade took us to Alnmouth in Northumberland. It is a site we've long wanted to visit. Despite driving past and through it many times we've never really had the chance to stop and take some time.

[caption id="attachment_1271" align="aligncenter" width="950"]Northumberland Landscapes - St. Cuthberts Cross St. Cuthberts Cross[/caption]

I've seen many shots of St.Cuthberts Cross on the hilltop on the southern side of the harbour, looking back to the town across the mouth of the River Aln and the Aln Estuary, but always wanted to nab one for myself and for the Northumberland Landscapes print range.

[pullquote align=center]

St.Cuthberts Cross - Said to be the location where St Cuthbert agreed to become Bishop of Lindisfarne when petitioned by the King.

[/pullquote]

 

Getting there ...


A bit of Google research beforehand revealed a track down to the dunes, on the south side of the estuary, from the A1068, NOT the turning going to Waterside House Farm if you're going North then it is the one before that. Turning onto the track you are greeted with a pothole strewn, rocky track that you really can't drive along at more than 5-10mph (if you value your suspension) but many vehicles travel this track so don't worry, just be careful. A slow drive down this track, avoiding the potholes and rocks, will bring you down to the dunes, crossing St.Oswalds Way and passing a warning sign about the track becoming flooded in places at high tides. PLEASE, check the Northumberland tide tables before you get there!!!



We parked up alongside the dunes and set off on one of the public footpaths heading North, we could see the cross and Alnmouth so navigation wasn't an issue. After crossing the flood plain area we stepped up onto what must be an island at high tide and headed up the hill towards the cross.

Taking the shot ...


It was VERY windy at the top, long exposures would be impractical as the tripod and camera would receive such a buffeting from the wind as to affect the shot so fast exposures were the order of the day, remote shutter release, weighted down tripod and standing to block the wind from the kit.

Jill went off to explore the lower part, towards the estuary, while I set up to get the shot I was after. I took a wide shot, a narrower shot and a bracket set to be sure I could produce something when back home. Then I repeated that sequence again, just to be sure. Belt and braces.

After taking in the view for a while we headed on back down the hill by a different path and came across an old stone ruin and some stumps so rattled off a few more shots for good measure. A quote from the Facebook page of Northumberland AONB clears up the ruin ...

[pullquote align=center]

Mortuary Chapel, Alnmouth:
This little Mortuary Chapel was built 1869-70 at a cost of £177.6s.3d. raised by public subscription, as part of a plan to re-open the cemetery on Church Hill (site of the ancient parish church of St. Waleric, the remains of which were destroyed by the 1806 flood). The roof of the chapel was deliberately removed by the National Trust in recent times to deter squatters and is now a grade II listed building.

[/pullquote]

Some may consider it to now be a cliche shot. I've made my case for cliche shots many times in the past but I'll reiterate again for new visitors, these landscapes are only a cliche to the people that have been there before and taken the shot, until then it remains a landscape shot that YOU have not captured. Don't let the views of others put you off, photography is a personal pursuit, capture the images YOU want to capture.

Other Useful Links ...


Wikipedia - http://en.wikipedia.org/wiki/Alnmouth

Visit Northumberland - http://www.visitnorthumberland.com/historic-sites/st-cuthbert-s-cross